![]() And they had quite a lot to say.īuena Vista Social Club – Buena Vista Social Club We approached some artists and asked them to look back and pick an album from 1997 which inspired them, whether in their personal life or in the ways they approached their music. We’ll get to Beats Per Minute’s own 1997 retrospective, but first, it seemed appropriate to let musicians have their say. As we are now working our way through the 25th anniversary of 1997, it felt right to look back and discuss some of the albums which have become milestones, not just of genre, but of entire histories of music. This year provided inspiration for artists both new and established, offering previously unknown insight into possibilities not yet imagined. It felt as though we were experiencing something truly historic, a moment in time when artists like Radiohead, Ween, Bob Dylan, Company Flow, Daft Punk, Erykah Badu, Missy Elliott, and Steve Earle were all vying for our undivided attention.īut the importance of 1997 goes far beyond the average person’s consumption of music. There was no guiding aesthetic, no adherence to one genre. 1997 possesses the distinction, maybe more than all of those other years, of being a complete melting pot year for music. But when discussions are broached concerning these years, there is one which is inevitably left off the list. Some years just seem to have a halo around them: 1969, 1971, 1991, 2001 – they have all produced some of the most influential and acclaimed albums of all time.
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